The Teaching Style of Tage Frid

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How he got started

A Danish-born craftsman and educator, tage frid (1915-2004) was responsible for the first college-level program in fine woodworking to be instituted in the United States. He also wrote a three-volume textbook, “Tage Frid Teaches Woodworking”, and served as a contributing editor to Fine Woodworking magazine from issue #1 through #171.

A native of Copenhagen, Frid spent his formative years completing a five-year apprenticeship under master craftsman Gronlund Jensen and working in cabinet shops. He eventually emigrated to the United States where he was recruited by the American Craft Council to help get the first higher-education program in fine woodworking off the ground. He is credited with designing a number of important furniture items that are now part of the permanent collection at the Museum of Art at the Rhode Island School of Design. He is also a member of the Woodworkers Hall of Fame. The most important thing to remember about tage frid is that he was a true craftsman who made his mark on the world.

His style

tage frid, a master woodworker and author who died in 2004 at the age of 88, had a distinctive style that influenced countless students. He began his woodworking career in Denmark and worked under master craftsman Gronlund Jensen until he immigrated to the United States in 1948.

In the United States, he was one of the driving forces behind the establishment of the first college-level program in fine woodworking. He taught at the School for American Craftsmen in Alfred, New York, and later at the Rochester Institute of Technology.

His work, most of which was in the Danish modern style, has been exhibited in museums throughout the world. He also wrote a well-known series of woodworking textbooks.

His teaching emphasized the need for craftsmen to learn all the tools and methods that they could use in their shops to achieve their goal. He believed that a master woodworker should be capable of working in any shop situation and producing quality work.

His teaching style

A good teacher has various teaching styles that he or she uses in order to build a continuous and active interaction between himself and his students. He or she carefully and wisely chooses a style that meets his or her student’s capacity and personality.

Professor Frid had a knack for using the best of these teaching methods and skills to make a good impression on his students. One day, he was giving a dovetail demonstration in the woodworking shop.

The demonstration was fast, colorful and witty. He used a vivid metaphor and appropriate humor to help people learn about dovetails. He also incorporated philosopher’s aphorisms and cultural proverbs into his lectures to make the learning experience more interesting.

Tage Frid was an influential figure in the world of woodworking, serving as a contributing editor for Fine Woodworking magazine from issue #1 through #171. He also wrote a classic series of books called Tage Frid Teaches Woodworking, published by The Taunton Press.

His books

Tage Frid (1915-2004) was an influential furniture maker, designer and teacher. He served as a contributing editor to Fine Woodworking magazine from issue #1 through #171 and wrote the classic series of books Tage Frid Teaches Woodworking, published by The Taunton Press.

A native of Denmark, he apprenticed with master craftsman Gronlund Jensen and worked in cabinet shops for many years before coming to the United States to teach in 1948. He launched the first college-level woodworking program in the country at Rhode Island School of Design.

He influenced generations of woodworkers by focusing on the importance of learning all available tools and techniques. His students included Hank Gilpin, Jere Osgood, Alphonse Mattia and William Keyser. He also was a major influence on the development of studio furniture in the United States. He was awarded a lifetime achievement award from the Furniture Society and elected a fellow of the American Craft Council. His works are found in the permanent collections of the Smithsonian Institution, Boston Museum of Fine Arts and the Museum of Art at the Rhode Island School of Design.